Cover of Pierre Sorlin: Italian National Cinema

Pierre Sorlin Italian National Cinema

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Taylor and Francis

2002

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978-0-203-13466-5

0-203-13466-4

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From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.

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